About Klezmokum

New Klezmokum Tour December 2011:
"Old and New Gold"

       

In 2007 and 2009 Music group Klezmokum did concerts in Synagogues and Jewish cultural centers, made possible by the support of the Maror Foundation in Amsterdam. For our next tour this year the Maror gave subsidy for another 6 concerts mainly in December 2011. The tour name is “Old and New Gold”. It’s a combination of Klezmokum “Evergreens” and some new pieces as well.


The concert tour schedule:
1.  Dec. 03, 20.15  Klezmer Festival Baarn in de Paaskerk, Oude
Utrechtseweg 4A
2.  Dec. 15, 20.00  Utrecht  Merkaz, Magdalenastraat 1a
3.  Dec. 21, 16.00  LJG Amsterdam, Zuidelijke Wandelweg 41
4.  Dec. 21, 20.00  LJG Den Haag, Prinsessengracht 26,
5.  Dec. 17, 20:15 Groningen  Folkingestraat 60 Synagoge
6.  Dec. 25, 15:30 NIG Nijmegen,  Nonnenstraat 19  Synagoge

A new presentation of some favorite pieces from the repertoire over the
last 22 years of the group's existence include the joyful klezmer pieces: Oy Tate S'iz Gut, Ay Nshomah, Old Klezmer Dance, Desert Dance.  From our Sephardic repertoire comes El Rey Por Mucha Madruga, Sadawi Variations and Laila, Laila. No program of this nature would be complete without our favorite Mikhl Gelbart piece, the poignant Di Nakht.  From our Chassidic repertoire: Yama Didi Variations, and Hatitai Hashem. New compositions for the band by Burton Greene will include Spring Freylehks and Russian Roots. This is a varied program that reaches into a wide variety of Jewish Music with roots from all over the world. It also brings out a gamut of human emotions and experiences:
joy, sadness, thoughtfulness, hope, and prayer.

“Anders dan bij Klezmokum is de meeste klezmer (groeps) tegenwoordig eerder nostalgisch van aard dan muzikaal uitdagend… Het album wordt fris gehouden door de zeer afwisselende improvisaties van de instrumentalisten en de aanwezigheid vocalist Patricia Beysens.”   Ken Vos review in NRC Handelsblad of Klezmokum CD: “Where We Come From.. Where We’re Going”     

“Dit is geen overgeleverde klezmer uit het verleden, dit is hedendaagse muziek die bij elke beluistering rijker and gevarieerder gaat klinken.   Dries Delrue review of “Where We Come from.. Where We’re Going” CD in New Folk Sounds, December 2010/January 2011


For concert bookings please contact:
Ben van Veen: ben@pc-tune.nl 
or Burton Greene:  greeneburton@cs.com



"Many people consider our group to be a synthesis of Klezmer music and contemporary jazz. Indeed, there are many themes and rhythms to suggest this fusion. But there are many other sources as well. A lot of the source material was composed in the early part of the century between the two World Wars. They reflect the joys and sorrows of mainly Ashkenazic or Northern and East European Jewish lives. I have a penchant for the beauty, the innocence, the hopes and longings as portrayed in many early Israeli compositions, coming mainly from the old Jewish-Palestine days. Lately I've discovered a wealth of unusual rhythms and poignant melodies from various Sephardic music sources: from Turkey, Greece and Balkan countries. Therefore I've brought some of this Sephardic or Middle Eastern Jewish Folklore into the band. In addition, I've added compositions of my own to the material"
Burton Greene

Klezmokum was formed in 1989 by composer, pianist, arranger Burton Greene together with clarinetist Marcel Salomon—who has been “steeped lifelong” in Jewish cultural music. Klezmokum comes from klezmer music, combined with the word “Mokum”, which means ‘place’ and is the old Jewish name for Amsterdam. Quite early tuba player Larry Fishkind joined the band and North African percussionist Roberto Haliffi. After Marcel Salomon left to pursue more traditional directions with his duo, clarinettist Perry Robinson and Hans Mekel on tarragot, alto sax and clarinet joined the band. For several years we worked with either Akos Laki or Stanislav Mitrovic from Hungary and former Yugoslavia on clarinet and saxes. Most recently we have the talented Lior Kuperberg from Tel Aviv, Israel, on soprano and tenor saxophones. And to complete the ensemble we have two multi-talented vocalists: Patricia Beysens and Marek Balata. Patricia also plays flügelhorn and often does the band's artwork. Marek has over a 3 octave vocal range and can sound like a synagogue cantor one moment, and scat like Bobbie McFerrin the next! To listen to Klezmokum is to travel around the globe through traditional Jewish cultures, to enter a past world and then return through the rhythmic vitality and spontaneity of improvised jazz into present time reality. “We are not trying to recreate the museum.”

Of note have been the performances at Bimhuis in Amsterdam, Middle Europe Festival (Germany), the Knitting Factory—5 Annual Avant Klezmer Festivals in New York, Amiens Jazz Festival (France), Opera House in Leipzig, North Sea Jazz Festival (Holland), Klezmokum at Klez-MORE Festival in Vienna, Austria (2004), and many more. Between 1992 and 2006 BV Haast in Amsterdam produced 6 CD’s of Klezmokum and Klez-thetics (an instrumental quartet version of Klezmokum). Currently we have two CD’s recorded for Tzadik Records in New York: The Klez-Edge CD: “Ancestors, Mindreles, Na Gila Monsters” (released in May, 2008), and a intimate, intense duo CD with myself and Perry Robinson on Tzadik entitled "Two Voices In the
Desert" (released in 2009).